AM sessions will run 8:30-12:30 PST and PM sessions will run 12:30-5:30PM PST
Tim Anderson, Publisher/Editor, Shadow & Light Magazine and The Journal
Anderson is the former publisher/managing editor of CameraArts magazine, and for ten-years has produced a variety of bi-weekly photography-related newsletters that now go out to more than 7,000 world-wide subscribers. He is also a publisher (Cygnet Press), and Editor-at-Large for Adore Noir magazine. He also publishes Shadow & Light Magazine, a PDF bi-monthly, 100-page photography magazine, which is now available in print, and The Journal, a photography-based monthly newsletter.
Reviewing days, TBA
Stacy Arezou Mehrfar, Visual Artist
Working with photography, photobooks, and video, Stacy Arezou Mehrfar explores the emotional and social facets of community. Her works look closely at the tension between belonging and alienation, and how individuals form meaning through their embodied presence in place. Mehrfar has exhibited her works at TEDxSydney, Australia; KMAC Contemporary Art Museum, Louisville, Kentucky; and the International Center of Photography, New York. In 2025, Mehrfar’s work will be a featured exhibition of the Glaz Photography Festival in Rennes, France, and included in an exhibition at the ANU Museum in Tel Aviv. A 2022 Silver List nominee, Mehrfar has received the Joseph Robert Foundation Grant, a Puffin Foundation Artist Grant, and the Australian Postgraduate Award. Her residencies include Interlude, I-Park Foundation, and the Wassaic Project. She is a 2025 LABA Lab fellow and Studio Arts resident at the Clemente Center. Her most recent monograph, The Moon Belongs to Everyone, was published by GOST Books in 2021. Mehrfar holds an MFA in Photomedia from the University of NSW School of Art and Design, Sydney, a Bachelor of Arts from the University of Wisconsin, Madison, and a Certificate in Creative Practices from ICP, New York. She teaches at the School of Visual Arts and ICP. Stacy is a first-generation Iranian-American artist. Arezou, her middle name, means “wish” in Farsi.
Reviewing days, TBA
Elizabeth Avedon, Photography Book and Exhibition Designer, New York, NY
Elizabeth Avedon has a rich history in photography, collaborating with museums, publishing houses, galleries and artists. She has received awards and recognition for her photography exhibition design and publishing projects, including the retrospective exhibition and book: “Avedon: 1949-1979? for the Metropolitan Museum of Art, Dallas Museum of Fine Arts; and “Richard Avedon: In the American West” for the Amon Carter Museum, the Corcoran Gallery of Art, and The Art Institute of Chicago, among many others. Former Director of Photo-Eye Gallery, Santa Fe and Creative Director for The Gere Foundation. Elizabeth also teaches ‘Book Design + Branding’ in the Masters in Digital Photography program at The School of Visual Arts, NY and online workshops for LACP.
As well as offering her personal critique, Elizabeth is always searching for new work to promote on her Photo-Journal, now in its 15th year. She is interested in reviewing exceptional photography, cohesive bodies of work with a unique perspective; fine art, portraiture, documentary, photojournalism – No abstract. No AI.
Reviewing days, TBA
Michael Behlen, Editor, Analog Forever
Bio To Come
Reviewing days, TBA
Sherrie Berger, Photography Consultant
Sherrie Berger is a creative collaborator with expertise in entertainment and high-end celebrity portraiture, fine art photography, production, marketing and public relations. She designs and implements strategies for producing photo shoots, creates marketing and publicity campaigns for exhibitions, photography events and special projects. Sherrie offers career coaching and teaches workshops worldwide encouraging photographers to express their authentic vision.
Reviewing days, TBA
Angela Bryant, Managing Director, Rose Gallery and Founder, Abryant Gallery
In 2009, Angela Bryant founded Abryant Gallery, an art consultation service and rotating contemporary art gallery for young/new and emerging artists. She has since curated several exhibitions, participated as both a juror and panelist, exhibited over 100 artists and installed 40 exhibits.
Although she was featured in Chicago magazine as one of “Six Young Art Curators You Should Know” Angela is a practicing artist. She is the recipient of several awards and honors and holds an MFA from The School of The Art Institute of Chicago. Angela has completed several murals over the years ranging from children’s room motifs to large scale outdoor murals. Her latest on-going project is for a public art commission with Western Illinois University. Bryant won the RFQ to design the terrazzo floor of the new Performing Arts Center.
Angela Bryant has served as an adjunct professor, an independent curator, guest lecturer at multiple institutions, and is the co-founder of MOUNT Curatorial Residency. She has also written contemporary art essays and has been published twice. For three years, Angela was the Director of Exhibitions for O’Connor Art Gallery at Dominican University where her programming highlighted the work of both emerging and established artists in two-person and group exhibitions. She is currently the managing director of ROSEGALLERY in Santa Monica, California.
Reviewing days, TBA
Susan Burnstine, Contributor, Black & White Magazine (UK), Photographer and Educator
Susan Burnstine is an award winning fine art and commercial photographer originally from Chicago now based in Los Angeles. Susan is represented in galleries across the world, widely published throughout the globe and has also written for several photography magazines, including a monthly column entitled American Connection for Black & White Photography Magazine (UK). Burnstine regularly teaches workshops, is a frequent reviewer and has been invited to curate and act as juror many exhibitions for galleries and festivals across the country. Damiani Editore published her second book, Absence Of Being, in 2018.
Reviewing days, TBA
Milly Cai, Associate Director, Higher Pictures, NYC
Milly Cai is a New York–based photo historian and independent curator. She holds a master’s from NYU’s Institute of Fine Arts, where her research examined early practices of portraiture and policing. Her recent projects include After/Images, a two-person exhibition at Black Brick Projects. From 2023 to 2025 she was the Associate Director at the Bruce Silverstein Gallery in NYC and she recently joined the team at Higher Pictures, a Brooklyn gallery that focuses mainly on the work of contemporary photographers.
Reviewing days, TBA
Victoria Chapman, Curator, VC Projects & El Nido art space, Los Angeles, CA
VC Projects was founded in 2014 by British-born Victoria Chapman, who is a Los Angeles-based curator. The company assist artists with their studio and exhibition development as well as representation at art fairs. Chapman has spent over twenty-five years working domestically and internationally in a variety of means with artists, galleries, museums, art consultants, and art institutions, assisting with administrative, curatorial, and exhibition planning. Chapman’s work experience has taken her to museums such as The Isabella Gardener Museum, The Victoria and Albert Museum, Orange County Museum of Art, to name a few. For 16 years, Chapman worked for Daniel Fine Art Services as an Art Director working alongside senior curators to create art collections for boutique hotels. She is also a published writer and speaker about art history and the creative process. A featured curator for “Small Talks” (England), Call with CURA, Hieronyvision, Art Confidential Magazine and LACP’s Conversations with a Curator (Los Angeles). Further, produced VC Projects Podcast Conversations About Art on Spotify. In addition, Chapman is a Curatorial Advisor and Liaison to Casa Regis: Center for Culture and Contemporary Art, Italy and a club member of Cromwell Place, London, England.
In 2021 Chapman opened El NIDO art space featuring art exhibitions, sound installations, and classical and avant-garde music programs. The curatorial program is a balance of national and international artists. Regardless of the creative medium, El NIDO works to support a sacred space for individuation.
Victoria is not interested in seeing fashion, commercial or street photography.
Reviewing days, TBA
Paris Chong, Gallery Director, Leica Gallery
Paris Chong is the Gallery Director of the prestigious Leica Gallery Los Angeles. With over two decades of experience as a Curator she has represented galleries and artists in events including Photo LA, Photo SF, Paris Photo, Paris Photo LA, The Palm Springs Photo Festival in addition to promoting Leica Gallery Los Angeles at international shows such as Art Basel and Photo Paris. Ms. Chong has also served as a respected and sought-after portfolio reviewer for The IPA Photo Awards, Fresh Look, Photoville, The Palm Springs Photo Festival and the ongoing Meet the Curator portfolio reviews for Leica Akademie USA.
Reviewing days, TBA
Katie Clifford, Editorial Director, Gost Books, London, UK
Bio To Come
Reviewing days, TBA
Arthur Dayras, Editor, The Eye of Photography / L’Oeil de la Photographie
Bio To Come
Reviewing days, TBA
Jason Eskenazi, Publisher, Red Hook Editions, New York
Jason Eskenazi is the publisher of Red Hook Editions, which gives the tools to photographers to take complete control of their work in book form. He formerly served as the International Curator and Creative Director for the Bursa Photo Fest in Turkey, and the International Curator for FotoIstanbul in 2014 and 2015 . An acclaimed photographer, Eskenazi has been awarded a Guggenheim fellowship, a Fulbright, the Dorothea Lange/Paul Taylor Prize and the Alicia Patterson Foundation Grant, and his work has appeared in Time, Newsweek, and The New York Times. His first book Wonderland: A Fairy Tale of the Soviet Monolith, which followed his travels through post-Soviet states after the fall of the Berlin Wall, won Best Photography Book 2008 from Pictures of the Year International. He later created The Black Garden, set in the geographical locations known to the ancient Greeks, investigating the east-west divide. Eskenazi has also led cross-cultural photo workshops, co-founded the philosophy-photography newspaper Dog Food, co-edited the MET Museum guards’ magazine SW!PE, and created The Americans List about The Americans, by Robert Frank.
Reviewing days, TBA
Jon Feinstein, Co-founder Humble Arts Foundation, Writer, & Photographer
Jon Feinstein is a curator, photographer, writer, and co-founder of Humble Arts Foundation. Jon has curated countless exhibitions for over 15+ years at galleries and institutions, including: Photoville; Blue Sky Gallery, PDX; The Ogden Museum in New Orleans for PhotoNola; Photographic Center Northwest; Colorado Photographic Arts Center; and Barclays Arena in Brooklyn, NY for ArtBridge. He is a recipient of the 2019 BlueSky Curatorial Prize and the 2021 Peter S. Reed Photography Grant. His writing on photography has appeared in VICE, Aperture, The Adobe Blog, The Squarespace Blog, TIME, PDN, Photograph, Hyperallergic, and Lenscratch.
Jon is particularly interested in reviewing art photography, conceptual work, social documentary, portraiture, still life, abstract photography, collage, landscape, and video. He is not interested in reviewing nude portraits of women by straight male photographers.
Reviewing days, TBA
Alex Fierro, Fine Art Specialist, Los Angeles Modern Auctions, Los Angeles, CA
Alex Fierro is a fine art specialist and auctioneer at Los Angeles Modern Auctions and board member of Photographic Arts Council. Prior to joining LAMA, she was the Director of Robert Berman Gallery and Santa Monica Auctions. She has proudly developed the first photo-based auctions for her company, which is now expanding from its Los Angeles LAMA home base to also being offered via Rago auctions in New Jersey. In addition, she has fostered their first LGBTQ+ sale titled: LOUD + PROUD: LGBTQ+ Art. Her professional focus is to elevate, celebrate and share discoveries with anyone – art should be shared and available for all to enjoy.
Reviewing days, TBA
Hope Flores, Curatorial Assistant, LACMA, Los Angeles, CA
Bio to Come
Reviewing days, TBA
Stephen Frailey, Editor, Dear Dave Magazine
Bio To Come
Reviewing days, TBA
Jennifer M. Friess, Associate Curator of Photography, University of Michigan Museum of Art
Jennifer M. Friess (she/her) is the associate curator of photography at the University of Michigan Museum of Art (UMMA) in Ann Arbor, Michigan. She joined UMMA in 2016 as the museum’s inaugural curator of photography and has since curated numerous exhibitions on themes of memory, place, and identity. Jennifer’s current exhibition Future Cache features a commission by Andrea Carlson, which surfaces histories and futures of Indigenous sovereignty and displacement in Michigan.
Jennifer is interested in reviewing projects in all stages of development by emerging to established photographers who are open to a dialogue about the conceptual and formal choices and intentions surrounding their work. She can provide insights into strengths of projects, modes of display, socialization strategies, and contextualization of your work. Jennifer is not interested in reviewing commercial photography.
Reviewing days, TBA
Susan Gray, Art and Cultural Development Consultant for Public and Private Art
Bio to Come
Reviewing days, TBA
Mark Edward Harris, Writer (Vanity Fair, NYT, Lens, PPA) & Photographer
Assignments have taken Mark Edward Harris to more than 100 countries on all seven continents. Hiseditorial work has appeared in publications such as Vanity Fair, LIFE, The New York Times, The Washington Post, Time Magazine, GEO, Newsweek, Conde Nast Traveler, National Geographic Traveler, Hemispheres, AFAR, Paris Match, VICE, Wallpaper, Vogue, Architectural Digest, The Los Angeles Times Magazine, and The London Sunday Times Travel Magazine as well as all the major photography and in-flight magazines. Among his numerous accolades are CLIO, ACE, Impact DOCS Award of Excellence, Aurora Gold, New York Book Show Book of the Year and IPA awards. His books include Faces of the Twentieth Century: Master Photographers and Their Work, The Way of the Japanese Bath, Wanderlust, North Korea, South Korea, Inside Iran, The Travel Photo Essay: Describing A Journey Through Images and his latest, The People of the Forest, a book about orangutans.
Reviewing days, TBA
Isaac Huxtable, Assistant Curator of Photography, V&A Museum, London, UK
Isaac Huxtable is a Yorkshire-born, London-based writer and curator. He works across the photographic medium with a central focus on race, identity, and realism. Isaac is currently an Assistant Curator in Photography at the Victoria and Albert Museum. He studied at the Courtauld Institute of Art, followed by roles at the British Journal of Photography, the Photographers’ Gallery, and the art agency Artiq. His words have featured in the British Journal of Photography, Elephant Magazine, Galerie Peter Sillem, The Photographers’ Gallery, and The South London Gallery. He is particularly interested in documentary practices, speculation, gender, class, and the body.
He is keen to see a range of work. He works across museums and magazines with a focus on (expanded) documentary and realism, but is open to a variety of styles and genres.
Reviewing days, TBA
Frances Jakubek, Image-maker, Independent Curator and Consultant for Artists
Frances Jakubek is an image-maker, independent curator, and consultant for artists. She is the co-founder of A Yellow Rose Project, past Director of the Bruce Silverstein Gallery in New York City, and past Associate Curator of the Griffin Museum of Photography in Massachusetts.
Recent curatorial appointments include Critical Mass, Potential Space: A Serious Look at Child’s Play featuring works by Nancy Richards Farese, Filter Photo, The Griffin Museum of Photography, British Journal of Photography, Les Rencontres d’Arles, Save Art Space, and Photo District News.
Jakubek has been a panelist for the Massachusetts Cultural Council’s Photography fellowships, speaker for SPE National and Colorado Photographic Arts Center, and lecturer for the School of Visual Arts, Boston University, University of New Mexico, and Washington and Lee University. She has taught workshops for The Southeast Center for Photography, The Center for Fine Art Photography, Maine Media, and the University of Iowa.
Reviewing days, TBA
Aneta Kowalczyk, Publisher, Blow Up Press, Warsaw, Poland
Aneta Kowalczyk is the Photo Editor and Book Designer at BLOW UP PRESS. She creates visually compelling photo and art books, celebrated internationally for their concept and form. Photo books designed by her were acknowledged by contests such as Les Rencontres d’Arles Book Awards, Lucie Photo Book Award, PhotoEspaña, European Design Awards, Polish Graphic Design Awards, Prix Bob Calle du livre d’artiste and others. In 2018, she was named one of the three Magazine Visual Editors of the Year by Pictures of the Year International (POY75).
Aneta definitely likes thought-provoking, multi-layered, conceptual projects and is not a fan of street photography.
Reviewing days, TBA
Kate Kraczon, Director of Exhibitions and Chief Curator, Brown University, Providence, RI
Bio to Come
Reviewing days, TBA
Calin Kruse, Founder, Dienacht Magazine & Dienacht Publishing, Berlin, Germany
Bio to Come
Reviewing days, TBA
Sarah Leen, Editor, Teacher, Mentor, Curator
In 2013 Sarah Leen became the first female Director of Photography at National Geographic Magazine and Partners. In 2020 she co-founded the Visual Thinking Collective, a community for independent women dedicated to supporting visual storytelling. She worked as a contributing photographer to the National Geographic magazine for 20 years.
Leen works with individual photographers and publishers editing visual projects and photography books. Books include the 2020 FotoEvidence and World Press Photo Book Award winner HABIBI by Antonio Faccilongo and the winner of the 2022 Lucie Book Award for Independent Book The Phoenician Collapse by Diego Ibarra Sanchez, We Cry in Silence by Smita Sharma and A Troubled Home by Anush Babajanyan. She was also the photo editor for FotoEvidence of Ukraine: A War Crime War which won the Photography Book of the Year from Pictures of the Year International in 2024.
Leen has taught photography and photo editing workshops at the Missouri Photo Workshops, the International Center for Photography in New York, the Maine Photographic Workshops, the Santa Fe Workshops, and Female Perspectives on Visual Storytelling in Maine.
Leen is on the Board of Advisors of the Eddie Adams Workshop, the Lucie Foundation and on the Board of Directors of the International League of Conservation Photographers.
Reviewing days, TBA
Nikolay Maslov, Curator, California Museum of Photography/UCR Arts, Riverside, CA
Nikolay Maslov is a curator, educator, and photographer deeply engaged with photographic arts, film, and digital media. Currently serving as Curator of Film & Media Projects at UCR ARTS, University of California, Riverside, Nikolay has curated and organized major exhibitions such as Digital Capture: Southern California and the Pixel-Based Image World as part of the Getty’s Pacific Standard Time initiative. His curatorial approach explores intersections of photographic history, technological transformation, and regional visual culture. Nikolay holds an MA from USC’s School of Cinematic Arts.
He is open to seeing anything, but particularly likes landscape and nature photography.
Reviewing days, TBA
Melanie McWhorter, Photography Consultant
Melanie McWhorter has gained a reputation as a knowledgeable photography professional; has been interviewed about photography in numerous print and online publications including PDN and NPR’s The Picture Show; curated exhibitions including Trust the Story at Baldwin Photographic Gallery; has judged the prestigious photography competitions including Fotografia: Fotofestival di Roma’s Book Prize; has reviewed portfolios at New England Portfolio Reviews, Fotografia, Photolucida, Review Santa Fe and PhotoNOLA; and taught and lectured at numerous venues including Santa Fe Workshops, PhotoNOLA and University of North Texas. After moving to New Mexico in 1997, she managed the internationally recognized photo-eye Bookstore + Project Space until 2016. She consults at melaniemcwhorter.com and sells photobooks at grenadeinajar.com.
Reviewing days, TBA
Quentin Nardi, Chief Photo Editor, Smithsonian Magazine
Bio to Come
Reviewing days, TBA
Ashby Nickerson, Gallery Director, Candela Books + Gallery, Richmond, VA
Bio to Come
Reviewing days, TBA
Laura Noble, Director, Laura Noble Gallery, UK
Laura Noble is an artist, collector and the Director of L A Noble Gallery (LANG) in London and FIX Photo Festival. She represents emerging and established artists and champions them through LANG exhibitions, festivals and museums in the UK and abroad. Curating both at LANG and independently at venues globally, working with organizations promoting photography, residency programs and also as a portfolio reviewer at photo festivals worldwide, her commitment to art is paramount. She launched FIX Photo Festival in 2016 garnering worldwide recognition, opportunities and participation.Laura’s advice on professional practice and the art market is also keenly received at several museums, universities and institutions around the world. Laura is dedicated to helping emerging photographers. She is interested in all forms of photography, with no interest in misogyny and dedicated to inclusivity in the arts and championing wide representation and diversity throughout. Her interest in conceptual and 3D work intersecting with other art forms is also welcomed. She is less interested in seeing commercial work.
Reviewing days, TBA
Isotta Poggi, Photography Curator, Getty Research Institute, Los Angeles, CA
Bio to Come
Reviewing days, TBA
Jaushua Rombaoa, Senior Curatorial Assistant, MOAH, Lancaster, CA
Jaushua Rombaoa is a Los Angeles-based artist and curator. He currently serves as the Senior Curatorial Assistant at the Lancaster Museum of Art and History in Lancaster, California, and as the Associate Director and Curatorial Advisor at ROSEGALLERY in Santa Monica, California.
Reviewing days, TBA
Jessica Roscio, Director and Curator, The Danforth Art Museum, Framingham, MA
Bio to Come
Reviewing days, TBA
Rotem Rozental, Executive Director and Curator, LACP, Los Angeles, CA
Rotem Rozental, Ph.D, is the Executive Director of the Los Angeles Center of Photography. Between 2016-2022, she served as Chief Curator at American Jewish University, where she was also Assistant Dean of the Whizin Center for Continuing Education and Senior Director of Arts and Creative Programming. Her new book, Pre-State Photographic Archives and the Zionist Movement was released by Routledge Publishers in March 2023, and was named recipient of the Jordan Schnitzer First Book Award by the Association for Jewish Studies.
Rotem is a lecturer at USC Roski School of Art and Design Critical Studies Department, and teaches seminars about photo-theory at the Brooklyn Institute for Social Research. She mentors artists worldwide and contributes regularly to magazines, journals and exhibition catalogues. Her writings about contemporary art and image-based media, as well as Jewish and Israeli art, were published in Artforum.com, Photographies, Jewish Currents, Tablet and Forward, among other outlets.
Reviewing days, TBA
Kristine Schomaker, Artist, Curator, Publisher, and Mentor, Shoebox Arts
Kristine Schomaker is a multidisciplinary artist, curator, publisher, and mentor who has been a driving force in the LA art community for over a decade. She founded Shoebox Arts in 2014 and launched Art and Cake magazine in 2015 to champion underrepresented artists and create vital community connections throughout Southern California. She currently runs Shoebox Projects, an alternative art space providing emerging artists with professional opportunities.
Kristine’s artistic practice centers on conceptual autobiography, exploring body image, gender identity, and society’s relationship with beauty through painting, photography, performance, digital media, and social practice. Drawing inspiration from artists like Lynn Hershman Leeson, Hannah Wilke, and Ana Mendieta, her work has been featured at prestigious venues including Cal State LA, UCLA, the Torrance Art Museum, and 18th Street Art Center, with notable solo exhibitions like Perceive Me and A Comfortable Skin at UCLA’s Kerckhoff Hall Art Gallery
As a reviewer, Kristine enjoys seeing work that pushes boundaries, whether experimental, identity-based, or narrative-driven, but she is eager to connect with artists at all stages of their careers and help them develop their voice and find new opportunities for their work.
Reviewing days, TBA
Aline Smithson, Founder/Editor Lenscratch, Photographer, and Educator
Aline Smithson has given exposure to thousands of photographers over the years, curated and juried exhibitions, and has been a reviewer at photo festivals across the country. Her own work has been exhibited and published world wide and she has an understanding of the reviewing experience from both sides of the table. Aline is open to all types of fine art photography, but is looking for projects created with intention and deep consideration.
Reviewing days, TBA
Kristin Taylor, Curator, Museum of Contemporary Photography, Chicago, IL
Kristin Taylor is the Curator of Academic Programs and Collections at the Museum of Contemporary Photography at Columbia College Chicago. Select exhibitions she curated include Collaboration: A Potential History of Photography (co-curated with Wendy Ewald, Susan Meiselas, and Laura Wexler), Captured Earth, Reproductive: Health, Fertility, Agency (co-cured with Karen Irvine), and Chicago Stories: Carlos Javier Ortiz and David Schalliol. Kristin leads the museum’s education initiatives and hosts its podcast, Focal Point. She also teaches at Columbia College Chicago and the School of the Art Institute of Chicago. Kristin holds a BFA in Painting from the Kansas City Art Institute and an MA in Visual Arts Management from Columbia College Chicago.
I am open to reviewing many types of work, but I especially love seeing conceptual works and works that employ experimental processes. Some exhibitions I curated explored topics of reexamining archives, female bodily autonomy, and human relationships with nature.
Reviewing days, TBA
Manon Thibodot, Curatorial Projects Officer, Centre Pompidou, Paris
Manon Thibodot, graduated from Sciences Po Paris and the École du Louvre, specializing in modern art, photography and fashion/luxury is currently working for the Modern collections department of the Centre Pompidou. She is involved in the essential curation of the museum rooms and the organization of exhibitions. Thibodot has collaborated in various photographic shows and contests in Paris and worked for the Los Angeles County Museum of Art in 2019, where she participated in provenance research on a collection of 19th and early 20th century photographs. She has contributed to many institutional exhibitions such as ‘Philippe Starck, Paris est Pataphysique’ (2023), at the musée Carnavalet – Histoire de Paris, ‘Isamu Noguchi, sculpter le monde’ (2023) at the Lille Métropole musée d’art modern, d’art contemporain et d’art brut, and ‘Bernard Réquichot, je n’ai jamais commencé à peindre’ (2024) at the Centre Pompidou. She also gives lectures and classes independently for the EIDM – International Fashion & Luxury Business School in Paris and the auction staff of the Crédit Municipal de Paris.
Reviewing days, TBA